Again, keep in mind that guys who could do most elements of this type of work with relatively "primitive" tools were common in that era. Churches were being built everywhere, all the time. As others noted, (not just) churches often had a live-in guy to build and maintain facilities. Even places like the US capital, the Supreme Court, any place that had millwork often had a shop and a guy to keep the place improved and maintained. He might have served as the janitor, in between. My grade school had such a guy & a one-room shop, though it was an early "modern" building. But he built stuff for the nuns, and projects for the kids classes sometimes, and mopped the halls in between. It was at the end of the time (1950's) when that was disappearing and a few places kept the old guy on even though he was not needed, rather than throwing him out in the street. Point being, before the war, they were essential.
I'd like to see some close ups of it.
see below. PM is not the most convenient/friendly site to post pix.
I imagine the stringers composed of steam bent sections that are joined end to end.
There is some visible evidence to support that conjecture.
Maybe with vertically oriented finger joints that are doweled.
Could be. A lot of that old work was bolted together with various forms of rail bolts and carriage bolts
There were plenty of blacksmiths in the area. As an alternative, work i have seen counted on dovetailed parts hanging from each other. Also joints & applied blocks that counted on wedges pulling things tight on assembly.
Also, see George Ellis volumes for all the ways to build and cheat such work.
There's an even earlier 19thc text have not been able to afford a copy, i'd have to find the name again, but it shows how to do all the complex work expected from the middle ages up to that point in the middle 1800's.
Re: photos, i've notice you can get bigger pix to show with less degrading if only posted one or 2 at a time.
The stairs are heavily faux-grained all over; as was common in that era.
There is some actual QS w.oak in a screen at the very bottom, (Pix later, maybe) but the rest was probably a softwood. In the included photos, note the vertical (joint?) line of the outer skirt/string behind the applied scrim/ & center baluster. There's more of these elsewhere on the stairs, will see what i can find later.
Above = well that is not as obvious as it is in my files.
notice the white crack in the gesso below/behind the center baluster, then follow it up behind/between the scrim, an apparent joint line of the string.
