Hi All:
It's a good technique for shallower holes as you all have pointed out.
Where it becomes a problem is in deep holes, and the reason is that so much of the carbide is cut away to make all the non-working flutes that the bit that's left is not as rigid as it needs to be for a deep hole.
I bore lots of skinny holes, and my favourite tool is still a custom ground bar with an oval cross section.
I start with a spun down carbide blank (usually a broken carbide endmill) and I make it so it will fit into my pre-drilled hole with just the minimum clearance I need to drop it into the hole and back it out again without touching the sidewall.
Then I offset the bar a bit and grind relief on the shank that will be closest to the cutting edge, and I grind it to the same diameter as the rest of the shank, leaving a bit at the tip untouched.
That gives me my oval cross section and provides a place for the chips to go.
Then I split the tip of the blank, and grind my tip profile on it, often just freehand by eye.
This is the strongest bar geometry I've found and lets me sneak into some pretty tiny bores with confidence.
So yeah, the endmill trick is a great one and I use it too when I'm too lazy to grind a proper bar, but it only works up to a point...typically an LD ratio of maybe 3:1 for sizes under 1/8" diameter.
Beyond that the endmills tend to scream when you only load one flute, and as others have pointed out, the flute will touch the sidewall in more than one place unless you cant the whole works, which reduces the depth you can go and increases the minimum diameter you can cut for any given endmill size.
Cheers
Marcus
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